Update:
「黒装束の外国人集団」が日本の住宅街を大行進!!!
「何のための行事」なのか？
「道路使用の許可」はあるのか？
移民政策が進む中で日本の街並みが変わることへの現場の声をどう受け止めるべきか？「秩序ある日常の日本🇯🇵を守りたい」って思う人✋ https://t.co/9bn2miLM0M
— とうしろう（5号）守若 冬史郎🙄 (@tourouken555) October 24, 2026
Mohammedans are missionary bandits. These are acts to make their presence known. Acts to call the infidels to submit to Islam.
“Black-robed foreign group” stages massive march through Japanese residential neighbourhood! What is this event “for”? Do they have “permission to use the roads”? As immigration policies advance and Japan’s streetscapes change, how should we interpret the voices from the front lines?
The head of a Tokyo music company sat down on Monday, October 20, watched videos of the riots in Paris, and typed out what he thought of Muslims.
They “multiply like rats,” he wrote, and Japan has to start deporting them “or it will be too late.”
His name is Hidemasa Otani, and he runs LD&K, a music label that also operates bars, restaurants and live-music venues across Tokyo.
The Japanese press calls him a heavyweight of the industry.
The post was up long enough for screenshots, then it was gone.
On Tuesday he posted again.
He said he had reacted “reflexively” to terrible footage from Paris, that the information reaching him “may be biased,” and that his wording was poor.
He said he feels “a sense of crisis about the country and my own future.”
Then the line everyone is quoting: he is “reflecting on it given my position.”
Not on the view. On the position.
It was not his first time: on November 5 last year he posted that Muslims breed “on par with rats” and that a world of “Muslims and Africans” is not far off.
Japan has no law that punishes any of this, so the only response so far is from musicians announcing they will no longer play his venues, and from his company, which told reporters it has no comment.